#Book Snap Sunday – Mrs M

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Sharon at Gum trees and Galaxies has started a new meme called Book Snap Sunday. It is a project aimed to encourage a little bit of creativity while chronicling the books we have read, are reading or want to read. You can read more about Sharon’s Book Snap Sunday here.

The photo above is my first attempt at Book Snap Sunday. Mrs M by Luke Slattery is a fictional account of the life and loves of Elizabeth Macquarie, wife of Major General Lachlan Macquarie, Governor of New South Wales from 1810-1821. It was a quite enjoyable read and has whet my appetite to learn a bit more about Macquarie, who seemed to have rather enlightened views about society, convicts and the right to a second chance.

Elizabeth was a keen gardener, hence the backdrop of the lavender peeking over the hedge. She was also somewhat of a musician, playing the viola as well as the piano. The stand on which the book is sitting reminded me of the ornate music stands on the old pianos and the candles evoke a sense of a time gone past.

If you enjoy both reading and snapping, you might like to join in too. It is giving me something to think about as I read. I may not have something every Sunday, but I’ll give it a go.

Happy Reading!

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Book Bingo Catch-Up

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This year I am having a go at the Book Bingo Challenge run by Theresa, Ashleigh and Amanda. The idea is to read a book in each category over the course of the year and complete the Bingo card. With 30 squares it works out to be about one book every fortnight with a few double ups. You can read more about the challenge here.

Initially, as I finished a book I would check to see which category would fit and tick off that square. This strategy worked quite well for a while and at first it was quite easy to tick off some squares. But then it started getting a bit harder. None of the books I was reading seemed to fit any of the categories that were left to be filled. Obviously, I needed a different strategy. 

So one evening I pulled out my paper copy of the Bingo card, sat in front of my 2019 TBR bookshelf and started pulling out books. My TBR list is a never-ending, constantly growing, work in progress. I actually don’t know how many books I have sitting on my shelves waiting to be read, except that it would be a very big number. And that doesn’t count the ebooks on my iPad – you know, out of sight, out of mind. At the beginning of each year I select a range of books from my shelves that I want to read during that year and place them in a special bookshelf next to my bed. Currently it is called the 2019 TBR shelf. Next year it will be called the 2020 TBR shelf – you get the drift. I try to choose a bit of everything – some historical fiction, some SF, some crime, some fantasy, some non-fiction, some prize winners, some off the 1001 list and so on. A bit of everything.

After perusing the 2019 TBR, the Bingo card was partly covered in pencil scribbles of potential titles for at least some of the remaining squares, but there were still some gaps. I had to widen my search. So I went on a book hunt – up to the shelf by the front door, around the corner to the bookshelf by the kitchen table, past the bookshelf by my desk, to the two remaining bookshelves across the other side of my bed. This scavenger hunt had three main outcomes.

  1. I now have even more books on my 2019 TBR list.
  2. I have almost all of the remaining squares scribbled on.
  3. I have broadened my usual reading zone – which is one of the greatest benefits of completing a reading challenge. 

Of course, I still have to read said books, but at least there is a plan in place.

If the last six weeks are anything to go by, the Bingo card is back on track. Today I am checking off…

Memoir about a Non-Famous Person: One Life by Kate Grenville                                       Kind of a biography-memoir, Grenville’s book tells the story of her mother’s life. She wasn’t famous, but a remarkable woman none-the-less.

Written by an Australian Woman: The Lost Flowers of Alice Hart by Holly Ringland     The book is visually gorgeous, the prose is beautiful, and the story packs a punch.

Written by an Author Under 35: Looking for Alibrandi by Melina Marchetta                 Growing up is never easy.

Written by an Author Over 65: A Caribbean Mystery by Agatha Christie                            Christie is always a winner. Nothing is ever as it seems.

Historical: The Name of the Rose by Umberto Eco                                                                       Now this was a hefty read. Intriguing mystery set in the late medieval world.

Fictionalised Biography about a Woman from History: Mrs M by Luke Slattery                  Mrs M is Elizabeth Macquarie, wife of Major General Lachlan Macquarie, Governor of New South Wales from 1810-1821. An enjoyable, if very fictionalised account of their time in Sydney, told from Elizabeth’s point of view.

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I now have one whole row completed!

There’ll be a bit more of a write up about these books, as well as the other books I have been reading, in my next reading update at the end of the month, but until then…

Happy Reading!

National Bookshop Day 2019

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Across Australia today, readers and book lovers are celebrating the wonderful contribution that the local bookshop makes to communities big and small. It is a magical experience to enter a store specifically designed for the promotion and selling of books. Meandering slowly past rows and rows of shelves stacked with books, their colourful spines facing outward, exposing titles printed in bold black or embossed in sparkling metallic, we look for a new friend to take home. Will it be from the new release display at the front of the store, or the science fiction and fantasy section that has been promoted to the middle, or my favourite, the classics section hidden in the back corner.

In a regional city like Toowoomba, as well as the big cities that dot our coasts, we can often take our local bookshops for granted. We can choose from the big chains like QBD or Dymocks, the occasional independent book store, as well as the book sections located in department stores. However, for many book lovers in rural Australia there is no local bookshop.

Bookshops Need Booklovers

Before Toowoomba, we lived in a small country town out west. For most of that time, there was no local bookshop. However, I do remember the delight when an independent book store opened in the Main Street. It was an exciting event to have our very own bookshop, designated purely to books and so it was greeted with great enthusiasm by the local book lovers. It was thrilling to walk through the doors, browse the books on the shelves, enjoy the quiet or relax in the comfortable book reading furniture. Sadly, it was not to last. Independent bookshops never lasted more than a few months in our town. A rural bookshop needs more than just a handful of book lovers to be viable.

It’s hard for bookstores to be a viable concern in a rural town. Rural residents are often less well off. Books are a luxury they may not be able to afford, especially now when many rural areas are in the grip of severe drought. With a smaller population, there is simply not enough avid readers to support a book store. There is also less access to book related events, like writers festivals or author events, to encourage and promote reading as a worthwhile leisure activity. And rural towns often have a different culture, one focused more on more physical activities like sport. Quiet activities, like reading, are often not as highly valued.

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There were other options for buying books of course. The local newsagent stocked a small range of books, and our one department store in town also stocked a small selection of books, but not always what I liked to read. Often I had to wait for a trip to a larger town or regional city for the opportunity to visit an actual book store and on these occasions, our to-do-list was so jam packed with appointments and essential purchases that there was little time for browsing through a book store.

We did of course have a very good library. It provided a welcoming environment for browsing the shelves, enjoying some quiet reading time and sampling unfamiliar writers. But I never understood why there were no classics. What is a library without Austen or Bronte or Shakespeare? Surely I was not the only reader who loved the classics?

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Fortunately for rural book lovers, we live in the technological age. With limited access to a physical book store we are forced to turn to the online market place. It’s never quite the same as a real bookstore though. We cannot pick the books off the shelf, feel the embossed print, smell the paper, or read the first page. Online book stores are good if you know what you are looking for, but they hold so many titles it’s time-consuming to browse in the way that you can in a real bookstore. On the other hand, there is the anticipation and excitement of the arrival of a package in the post. After all, somebody has to keep Australia Post going!

So whether your local book shop is a physical store devoted to books, a couple of shelves in a department store or a well visited bookmark in your internet browser,  celebrate the joy that books bring to our lives and spare a thought for those living in rural communities where the local bookshop is often just a beautiful dream.

Happy Reading!

Texts in Adaptation

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It is not often I have time to sit down and enjoy a movie. We don’t watch much television. It’s probably because I refuse to pay for streaming services and there’s very little worth watching on the free to air channels. So we read or occasionally watch one of the movies or tv shows we have on DVD. 

However yesterday I sat down to watch the 2017 live action movie of Beauty and the Beast. Bec and I went to see it when it premiered here in the cinemas. It had special meaning for Bec as she was in the chorus when her school staged the Beauty and the Beast musical. It was quite interesting to sit in a cinema packed with adults to see a film about a Disney princess. And of course, we loved it.

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This time though, I was required to watch the film for my studies this semester. What kind of course requires me to watch a Disney film, you might well ask. The best kind of course I would think. A course that studies texts and their various screen adaptations, such as Beauty and the Beast, Pride and Prejudice, Logan, and an Australian film you may not be so familiar with, Jindabyne.  

Texts in Adaptation (that is indeed the title of the course) delves into the world of both literary and screen adaptations. As readers we all have opinions about much loved books being turned into movies, usually with the declaration – “It’s not as good as the book!” And until recently I would have said the same. However this course is challenging us to rethink the concept of an adaptation, to reject the idea of fidelity (faithfulness to the text) and to consider adaptations as texts in of themselves. The definition of text here also includes other media such as movies, tv and computer games.

It has prompted me to think about why we tend to think that the book is always better. Most often I think it is because we are readers first. We first experience the story and fall in love with it as a reader. The reading experience is completely different to the screen experience. Reading involves using our imagination to see the setting, the characters and the action unfold in our minds. We can choose the pace of the story, whether to read it slowly over a number of days or weeks, or to indulge in a binge read of a complete series. We can delight in the beauty of language as the authors creates worlds in our mind, arouses our sense, and taps into our emotions. We can reread parts or even skip ahead to the end. Our mind is actively engaged in making meaning from the text.

 

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Watching a movie, on the other hand, is a very different experience. While it can be exciting to see a beloved text on the big screen, we lose the choice of how the characters are depicted. Scenes and characters can be added or deleted. The setting or time frame or even the ending can be completely changed. We can come away thrilled at the experience or disappointed that it does not live up to the text that lives in our imaginations.

Sometimes there are practical reasons for changes. Sometimes the director or producers have a completely different interpretation of the text or motivation for even making the adaptation in the first place. Every reader interacts with a text in a different and personal way so it is impossible for an adaptation to please every one. But I think that one of the main reasons that we believe the book is always better, is that it is the way we first interact with the story. It’s not to say that screen adaptations are necessarily inferior, (although some probably are) – they are just different. The book is our first love and no adaptation can ever really replace that. 

The fidelity of an adaptation is often the thing that can get readers in a tizzy. We may love the text so much that any change is considered sacrilegious. But we might like to think a bit more about this idea of a text as original. Beauty and the Beast is a good example. Most people are probably familiar with the Disney version of this tale, however the origins of Beauty and the Beast date back to at least the second century CE with the story of Cupid and Psyche. There are numerous variations of the tale, including the one often considered as the original, de Beaumont’s version published in 1756. But as we know, fairy tales come from a long tradition of oral storytelling, so all these variations could be considered adaptations of adaptations…the original tale has been probably long lost. Do we really then have any right to be picky about screen adaptations? Aren’t they just another retelling in a long line of retellings which will continue as each successive generation retells the story for its own time?

It will be interesting to learn more about the business of adapting a text for the screen and the way that we can learn to appreciate an adaptation for what it brings to the story and the new meanings it may create, even when it may not be to our liking. I will still probably prefer the book, but that’s because I am a reader and the book will always be my first love. 

May-June Reading Update

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The last two months have been somewhat dismal on the reading front with only a total of five books, and one of those I began quite a long time ago. Oh well, there’s always July.

A Pale View of Hills by Kazuo Ishiguru28920

Ever since reading Remains of the Day, Ishiguro has become one of my favourite authors. Although he was born in Nagasaki, he moved to the UK when he was quite young and he credits growing up in a Japanese family for giving him a different perspective than his English peers. He has been nominated for the Man Booker prize four times, winning it for Remains of the Day, and was awarded the Nobel Prize in Literature in 2017. 

A Pale View of Hills, published in 1982, was his debut novel. Set in both Japan and the UK, the story centres on Etsuko as she reflects on her life after the recent death of her daughter. Ishiguro’s novels often don’t end with the kind of neat resolution that we have come to expect and this book is no exception. The ending was a little disturbing as we discover that things are not always what they seem. A thought provoking if unsettling read.   

Boys Will be Boys by Clementine Ford40737717._SY475_

At the beginning of May I attended a live and local screening of Ford’s session at the Sydney Writer’s Festival and then I read her book. Ford has a reputation as a radical feminist but I didn’t get that impression from either the panel discussion about toxic masculinity or her book. Yes, there’s “language”. Yes, she’s often sarcastic. But I believe that she is right about the negative and damaging impact of patriarchy and toxic masculinity not just upon women, but especially on men. I devoured this book in one day and was filled with anger, sadness and frustration.

 In a recent article about domestic violence,  Hayley Gleeson quotes Margaret Atwood,

 “Men are afraid women will laugh at them and women are afraid men will kill them.”

One of the most common responses to the issues of domestic violence, toxic masculinity and misogyny is “not all men”. True. It’s not all men and we know that it is not all men. But that’s not the point and Ford addresses the “not all men” response. There has been too much silence for too long. If we wish to create a society in which all people are respected and valued, then men and women need to stand together to call out bad behaviour, to intervene and to speak up.     

 Are Women Human by Dorothy L Sayers 320481

Dorothy L Sayers (1893-1957)was an English crime writer and poet, friend of C.S Lewis and one of the first women to receive a degree from Oxford. Although she finished with first-class honours in 1915, she had to wait a few years to receive her degree, as degrees were not awarded to women at that time. Typical! She is probably better known for her Lord Peter Wimsey mystery novels, however she also wrote many essays, of which two, ‘Are Women Human’ and ‘The Human-Not-Quite-Human’, are contained in this little book. 

Sayers discusses the way women are always seen in reference to men, always as the “opposite sex” and she wonders if there is a “neighbouring sex”. After all, as she points out, “women are more like men than anything else in the world. They are human beings.” Sayers was writing in a time when women’s access to education and employment was restricted, so her main arguments focus on firstly, that women are human beings, just like men, and secondly, that every human being needs to have purpose and occupation. The upshot is that women want to be respected as individuals in their own right, with their own unique combination of abilities and interests, and not as a single homogeneous class. Perhaps the same could be said of every human being. 

The Hitchhikers Guide to the Galaxy by Douglas Adams 841628

Douglas Adam’s (1952-2001) science fiction cult classic, The Hitchhiker’s Guide to the Galaxy contains time travel, aliens, a depressed robot, as well as the end of the world. It is a hilarious and madcap ride around the galaxy and through time and I loved it. Labelled a “trilogy in four parts”, the book also included The Restaurant at the End of the Universe;  Life, the Universe and Everything; and So Long, and Thanks for All the Fish. Apparently there is also a fifth book in the trilogy, Mostly Harmless, which I will obviously have to track down. Originating as a radio program, the “trilogy” has gone on to include plays, comics, computer games as well as television and film adaptations. A definite must read for those with a warped and zany sense of humour.

Paradise Lost by John Milton 13455114

First published in 1667, Paradise Lost has been described as “the greatest epic poem in English literature.” In poetic form, Milton (1608-1674) recounts the Fall of Man, the temptation of Adam and Eve, and their exclusion from the Garden of Eden. Teskey (2005) says “Growing to understand Paradise Lost is a lifelong adventure”, which is good because it has taken me five years to finally finish my first reading and I think I got the gist of it. One of the problems is that it was an ebook, so because it wasn’t sitting right in front of me on my bedside cupboard with a bookmark sticking out, I would tend to forget all about it. It was also a book that required a fair bit of concentration. Anyone who has ever read Shakespeare would understand what I mean. I found that the best way of reading Milton, was to read it out loud (you should probably do this in private to avoid strange looks though.) Reading it out loud helped me to both get the rhythm and a sense of the drama. I definitely would like to read again, perhaps in another five years, but next time I will use an edition that I picked up from a Lifeline sale, which includes footnotes and some critical commentary.

Book Bingo

I have been getting a bit behind on Book Bingo. Recent reads have not really been fitting into any categories but this month I am claiming The Hitchhikers Guide to the Galaxy as my comedy read. After all it did me make me laugh – a lot.

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Dangerous Liaisons

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On Friday night I went to see Queensland Ballet’s performance of Dangerous Liaisons at our local Empire Theatre as part of their regional tour for 2019. If you have read the book by Pierre Choderlos de Laclos, first published in 1782, or seen the 1988 screen version starring Glenn Close and Michelle Pfeiffer, then you may remember that it is a scandalous tale of seduction, revenge and betrayal set in pre-revolutionary France. The blurb on the back of my penguin edition says…

“Depicting decadence and moral corruption in pre-revolutionary France, Dangerous Liaisons is one of the most scandalous and controversial novels in European literature. Two aristocrats embark on a sophisticated game of seduction and manipulation to bring amusement to their jaded existences. As their intrigues become more duplicitous and they find their human pawns responding in ways they could not have predicted, the consequences prove to be more serious, and deadly, than Merteuil and Valmont could have guessed.”

I read the book a few years ago, as it is listed on the 1001 List – 1001 Books to Read Before You Die – but I haven’t seen the movie. Classic books are not always an easy read for contemporary readers, especially when they are written in an epistolary form, that is, as a series of letters, which is the case for Dangerous Liaisons. It can also be a bit tricky keeping the various characters with their french names clearly sorted out in your head as you read. Some readers find the story deliciously wicked and others have lauded the way it delves into the dark side of humanity. I don’t quite remember my initial reaction which probably means that I need to read it again. It may be one of those books that gets better with each read.

“a classic tale of seduction and betrayal”

Dangerous Liaisons has been adapted a number of times for stage, opera, ballet and screen, but this particular version by Queensland Ballet was a world premiere when it opened in Brisbane in March of this year. It was promoted variously as a “classic tale of seduction and betrayal”, “a hedonistic tale of love, virtue and humanity” and an “evocative and vivid work that will scintillate audiences” (QLD Ballet). It was also stressed that it was a production for a mature audience. Well, they got that right. It was the raunchiest ballet that I have ever seen. 

Now I did know the story, and I did expect it to be somewhat risqué. But hey, it’s ballet. How provocative could it be?

It was an incredible performance. The period costumes were fantastic. The music fitted perfectly. It was brilliantly executed and the emotion portrayed by the dancers was outstanding. It was also provocative because it clearly depicted the licentious and morally corrupt behaviour of the french aristocracy. Some reviews, that I read post-performance, described the production as brave and sensual, some noted the literal depictions of libertine behaviour, while one likened it to a strip club.  

I think it is the story itself that sits uncomfortably and causes a sense of disquiet. It is not the licentious behaviour of the french aristocracy so much, who obviously had way too much time on their hands and seemed determined to have sex with anybody and everybody. I do hasten to add that it was not all members of the aristocracy who were so inclined. No, it is the deliberate seduction and corruption of a young, naive, virginal girl for the sordid amusement and vengeance of of the two central villains, without a single thought or care for the consequences. Remember, this is the 18th century and there is a clear double standard when it comes to sex and morality. In the wake of the “Me Too” movement and regular reporting of revenge porn, domestic violence, sexual assault and catfishing, it is this part of the story that causes discomfit.  Perhaps discomfit is not what we expect from ballet. Perhaps we expect Swan Lake: beautiful, graceful, romantic, tragic.

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Art has many different purposes. It entertains us. It educates. It challenges. I like to read books that I know will challenge and expand my horizons. I go to see some movies for the same reason. One of the most memorable films for me was “Cry Freedom” (1987).  Set in South Africa during  the late 1970s, it depicted the reality of apartheid. One of the things that was particularly memorable for me came when the audience exited the cinema –  in absolute silence. We were shocked, stunned, appalled by what we had seen. Challenged. So, if we can expect to be challenged by literature and by film, why not ballet?

If you explore the Queensland Ballet website, you will see their motto – Move Boldly. 

If you read their vision statement this is what you will see…

“Our dream and our endeavour is to connect people and dance across Queensland through a program of delightful, exciting and challenging work, collaborating with leading artists and organisations.”

I did find Dangerous Liaisons somewhat challenging. It reminds us that the oppression, degradation and humiliation of women has a very very long history. It shows us the depths to which humanity so often descends. It provokes deep thought and reflection about the way women continue to be treated, the double standards that are still applied today and the very important role that art plays in culture and society. 

I am glad that Queensland Ballet is a company that seeks to challenge as well as entertain. I appreciate their goal to bring ballet to those of us who live out in the regions and I hope they will continue to stage challenging works in the future.

April Reading Update

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April turned out to be quite a busy month, with Easter, ANZAC Day, and an Australian history essay to get done somewhere in between.  So the reading was a little steady, however I did manage to read …

  • The Virgin Suicides by Jeffrey Eugenides
  • Magnus Chase and the Sword of Summer by Rick Riordan 
  • Eden by Candice Fox
  • Follow the Rabbit-Proof Fence by Doris Pilkington
  • People of the Book by Geraldine Brooks
  • Keep the Aspidistra Flying by George Orwell

… and ticked off two more boxes for Book Bingo.

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  • Novella (less than 150 pages) – Rabbit-Proof Fence by Doris Pilkington
  • Crime – Eden by Candice Fox

Follow the Rabbit-Proof Fence by Doris Pilkington was both a reread and part of an Australian history assignment. It tells the story of three young Aboriginal girls who are taken from their home in the Pilbara region of Western Australia to a settlement far away from their family. Molly, the oldest girl and Doris Pilkington’s mother, decides they’re not staying and so begins their long journey back home, following the rabbit-proof fence.

 It is 1931 and the child removal policy is in full swing. The child removal policy was at best misguided and at worst rooted in prejudiced and racist ideology. Indigenous children were separated from their families in an attempt to destroy the link with their culture and assimilate them into white society. They are the Stolen Generations. Sadly Doris was also separated from her mother Molly for many years. She says that writing the book helped her to reconnect with her family and culture, and heal the pain and trauma of the loss of her family, culture and identity. 

Follow the Rabbit-Proof Fence belongs to a genre of writing often known as Aboriginal Life Writing and I think it is helpful to understand a bit about Aboriginal Life Writing when reading Pilkington or any other texts from this genre. Aboriginal Life Writing is often different from the usual kind of memoirs or autobiographies that are written in the western tradition. Storytelling is a very important tradition in Indigenous culture and Aboriginal Life Writing continues that tradition. But it also serves as a mechanism for healing the pain and trauma of dispossession, for reconnecting Indigenous people with their history and culture, for teaching non-Indigenous readers about Aboriginal culture and their own history, and for promoting the necessity of reconciliation for all of us.

 In 1992, the then Prime Minister of Australia, Paul Keating, said….

[Reconciliation] begins, I think, with that act of recognition. Recognition that it was we who did the dispossessing. We took the traditional lands and smashed the traditional way of life. We brought the diseases. The alcohol. We committed the murders. We took the children from their mothers. We practised discrimination and exclusion. It was our ignorance and our prejudice. And our failure to imagine these things being done to us. (Attwood 2001, p. 201)

It is shocking to think that here we are almost 30 years later, and still little seems to have changed. Racism, inequity, poor health and shorter life expectancy plus numerous other social issues continue, but the capacity for Indigenous writers such as Pilkington to extend forgiveness and compassion is deeply humbling. In an interview with Anne Brewster, Doris explained how her involvement in the reconciliation process revealed her own need to forgive, saying

“…how can I expect them to say sorry to me, when I don’t have any forgiveness and compassion for them? ” (Brewster 2005, p. 145)

 Forgiveness. Compassion. Repentance. Respect. Dignity. Consideration. Equality. 

These are the building blocks of a kind, just and ethical society.

I live in hope. 

Happy Reading

 

Attwood, Bain 2001, ‘”Learning about the truth” The stolen generations narrative’ in B Attwood and F Magowan (eds) Telling Stories: Indigenous history and memory in Australia and New Zealand, Allen & Unwin: Crows Nest, NSW, pp. 183-212

Brewster, Anne 2005, ‘The Stolen Generations: Rites of Passage: Doris Pilkington interviewed by Anne Brewster’, Journal of Commonwealth Literature, Vol 41, No. 1, pp143-159

Lifeline Bookfest 2019

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Every year thousands of booklovers across Australia count down the days to their local Lifeline Bookfest. For Toowoomba booklovers this is usually the first weekend in March. Early on the Saturday morning a long of line vehicles can be seen crawling down Glenvale Road towards the entry gates of the Toowoomba Showgrounds. Inside the main pavilion sit rows and rows of boxes filled with books just waiting to find a new home. Like many other booklovers, we’ve been looking forward to this day so much it’s been highlighted on the calendar. 

Lifeline is an Australian charity organisation which provides a range of counselling and support services for children, youth and families as well as emergency relief. It was founded in 1963 by Reverend Dr. Sir Alan Walker. Concerned about the often devastating impact of loneliness, isolation and anxiety, he began a crisis line to provide critical support for people in need. Today Lifeline has around 40 centres across Australia, employing around 1,000 staff and attracting 11,000 volunteers who donate their time. The Lifeline book sales help to raise funds to continue this vital service.

 

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This year was the 39th Lifeline Bookfest held in Toowoomba and according to the local paper, it was going to be even bigger than before. There were seven shipping containers filled with books and volunteers worked throughout the week to have everything ready for 8am Saturday morning. The books are organised into a variety of categories including sci fi & fantasy, crime & thrillers, fiction, non-fiction and children’s. And it’s not just books. Pre-loved magazines and toys are on sale too.

Seasoned book-festers usually come prepared. Some bring shopping carts or wheeled suitcases. Some come with a list of desired titles. Others are just content to take home an armful of new books. We didn’t have a formal list of titles that we were looking for, but we did have a few things in mind. Bec was after some Star Wars novels and I was on the look-out for Australian, literary and award-winner titles, plus anything that might be on The List – the 1001 list, that is.

One of the cool things about the Bookfest is that you can hire a shopping trolley for $2. Do you know how many books you can fit in a shopping trolley? Quite a lot.  We weren’t the only ones with a shopping trolley, but we did get a few strange looks because our shopping trolley was pretty full. It also attracted a few comments, all good fun of course, about how much we read and how long the trolley load of books would last. A few weeks one person asked.  

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We were pretty happy with what we managed to find. Bec found some Star Wars books and some Kathy Reichs. I found some Anne Rice, Margaret Atwood, Richard Flanagan and the first ten books of Sookie Stackhouse – just to name a few. The Bookfest is always a bit of a lottery. You never know what treasures you might find. So yes, we did buy a trolley load of books but we also helped to raise money for a very worthy cause. The Toowoomba sale raised $75,000 for Lifeline, while the Bookfest held in Brisbane in January raised $1.4 million. That’s some serious money raised out of second-hand books.  

The only trouble now is to find some space on the bookshelves and more time to read.