April Reading Update

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April turned out to be quite a busy month, with Easter, ANZAC Day, and an Australian history essay to get done somewhere in between.  So the reading was a little steady, however I did manage to read …

  • The Virgin Suicides by Jeffrey Eugenides
  • Magnus Chase and the Sword of Summer by Rick Riordan 
  • Eden by Candice Fox
  • Follow the Rabbit-Proof Fence by Doris Pilkington
  • People of the Book by Geraldine Brooks
  • Keep the Aspidistra Flying by George Orwell

… and ticked off two more boxes for Book Bingo.

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  • Novella (less than 150 pages) – Rabbit-Proof Fence by Doris Pilkington
  • Crime – Eden by Candice Fox

Follow the Rabbit-Proof Fence by Doris Pilkington was both a reread and part of an Australian history assignment. It tells the story of three young Aboriginal girls who are taken from their home in the Pilbara region of Western Australia to a settlement far away from their family. Molly, the oldest girl and Doris Pilkington’s mother, decides they’re not staying and so begins their long journey back home, following the rabbit-proof fence.

 It is 1931 and the child removal policy is in full swing. The child removal policy was at best misguided and at worst rooted in prejudiced and racist ideology. Indigenous children were separated from their families in an attempt to destroy the link with their culture and assimilate them into white society. They are the Stolen Generations. Sadly Doris was also separated from her mother Molly for many years. She says that writing the book helped her to reconnect with her family and culture, and heal the pain and trauma of the loss of her family, culture and identity. 

Follow the Rabbit-Proof Fence belongs to a genre of writing often known as Aboriginal Life Writing and I think it is helpful to understand a bit about Aboriginal Life Writing when reading Pilkington or any other texts from this genre. Aboriginal Life Writing is often different from the usual kind of memoirs or autobiographies that are written in the western tradition. Storytelling is a very important tradition in Indigenous culture and Aboriginal Life Writing continues that tradition. But it also serves as a mechanism for healing the pain and trauma of dispossession, for reconnecting Indigenous people with their history and culture, for teaching non-Indigenous readers about Aboriginal culture and their own history, and for promoting the necessity of reconciliation for all of us.

 In 1992, the then Prime Minister of Australia, Paul Keating, said….

[Reconciliation] begins, I think, with that act of recognition. Recognition that it was we who did the dispossessing. We took the traditional lands and smashed the traditional way of life. We brought the diseases. The alcohol. We committed the murders. We took the children from their mothers. We practised discrimination and exclusion. It was our ignorance and our prejudice. And our failure to imagine these things being done to us. (Attwood 2001, p. 201)

It is shocking to think that here we are almost 30 years later, and still little seems to have changed. Racism, inequity, poor health and shorter life expectancy plus numerous other social issues continue, but the capacity for Indigenous writers such as Pilkington to extend forgiveness and compassion is deeply humbling. In an interview with Anne Brewster, Doris explained how her involvement in the reconciliation process revealed her own need to forgive, saying

“…how can I expect them to say sorry to me, when I don’t have any forgiveness and compassion for them? ” (Brewster 2005, p. 145)

 Forgiveness. Compassion. Repentance. Respect. Dignity. Consideration. Equality. 

These are the building blocks of a kind, just and ethical society.

I live in hope. 

Happy Reading

 

Attwood, Bain 2001, ‘”Learning about the truth” The stolen generations narrative’ in B Attwood and F Magowan (eds) Telling Stories: Indigenous history and memory in Australia and New Zealand, Allen & Unwin: Crows Nest, NSW, pp. 183-212

Brewster, Anne 2005, ‘The Stolen Generations: Rites of Passage: Doris Pilkington interviewed by Anne Brewster’, Journal of Commonwealth Literature, Vol 41, No. 1, pp143-159

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